A good article defining these oft-confused terms.
This essay briefly discusses The Handmaid’s Tale (Margaret Atwood; date);The Children of Men (P.D. James; 1992); Oryx and Crake (Atwood; 2003) and The Year of the Flood (Atwood; 2009);The Gate to Women’s Country (Sheri S. Tepper; 1988); Where Late the Sweet Birds Sang (Kate Wilhelm; 1976); Always Coming Home (Ursula K. Le Guin; 1985). There are no spoilers beyond very brief summaries.
I have noticed that two sub-genres frequently get confused: the dystopian story and the post-apocalyptic story. While these two areas of future storytelling may overlap, they don’t mean the same thing at all. So let’s define some terms, shall we?
We’ll begin with apocalypse. An apocalyptic story is one that depicts the end of modern human civilization as we know it, usually due to some cataclysmic event. A nuclear war, a meteor impacting the Earth, a zombie uprising, a 99-percent fatal epidemic — all of these…
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